Claude, elaborate: “The heart has its reasons which reason knows nothing of”.—Blaise Pascal
Pascal’s line is almost always quoted in the service of exactly the position Pascal did not hold. It gets enlisted to mean “feeling trumps thinking — follow the heart, not the head.” Coming from a mathematician of the first rank, the architect of projective geometry and probability theory, a man who could be ruthlessly austere about proof, that reading is not just thin but inverted. Le cœur a ses raisons que la raison ne connaît point is an epistemological claim, not a license for sentiment.
Two things have to be unhooked from their modern senses. La raison here is discursive reason: the faculty that proceeds by steps, demonstrates, infers, chains proposition to proposition. Le cœur is not emotion in the romantic sense at all. It is the faculty of immediate, intuitive apprehension — what Pascal elsewhere calls the esprit de finesse as against the esprit de géométrie. The heart is what grasps a thing whole, at once, without the ladder of inference.
The decisive move — and the one the popular reading erases — is that for Pascal reason itself rests on the heart. In the surrounding fragments of the Pensées he says we know truth not only by reason but also by the heart, and that it is through the heart that we know first principles — space, time, motion, number — which reason then takes as given and builds upon. Reason cannot prove these; it can only use them. So the heart is not the irrational shadow of reason but its unprovable foundation. When reason tries to “combat” what the heart knows immediately, Pascal says, it labours in vain. This is closer to a doctrine of intellectual intuition than to any cult of feeling. The heart has reasons — raisons, an order of intelligibility — that discursive reason has no access to precisely because they are prior to it, not beneath it.
From there the line opens onto its real destination, which is theological. Pascal’s apologetic target is the conceit that God could be reached by demonstration. His answer: c’est le cœur qui sent Dieu, et non la raison — it is the heart that feels God, not reason; and this is what faith is, “God sensible to the heart, not to the reason.” This sits inside his scheme of the three orders — bodies, minds, charity — each infinitely above and invisible to the one below it. No accumulation of geometric brilliance climbs into the order of love; it is a different register of apprehension entirely, accessible only to the heart. The famous sentence is the hinge of that whole architecture.
Given where you work philosophically, the resonances are hard to ignore, though they should be stated with their disanalogies intact. The Advaitin distinction between parokṣa (mediated, inferential) knowledge and aparokṣa anubhūti (immediate apprehension) tracks Pascal’s two faculties rather closely; so does Śaṅkara’s insistence that the Self is svayam-prakāśa, self-luminous, not an object established by the pramāṇas in the way other things are, because it is the very ground on which all knowing stands — much as Pascal’s first principles are known, not proved. And the lexical accident becomes almost uncanny with Ramana, for whom the Hṛdayam, the Heart, is not a metaphor for emotion but the seat and source of the “I,” the locus from which the sense of being arises. “The heart has its reasons” reads very differently next to Ramana’s Heart than next to a Valentine.
The Sufi line is equally apt to your idiom: the qalb as the organ of spiritual perception, maʿrifa (gnosis, knowing by the heart) set against ʿilm (discursive knowledge), and above all dhawq — “tasting,” knowledge that cannot be transmitted by argument because it is had only by direct savour. Jise ishq ka tiir kaarii lage — the one the arrow strikes knows something the spectator’s reason cannot reconstruct.
But here is the honest fault line, and it is worth holding rather than smoothing. Pascal’s heart still apprehends God as Other — Dieu sensible au cœur keeps the structure of a knower feeling a known, a soul before its God. The Jansenist frame is irreducibly dualistic and, in its way, anguished: the heart reaches across an abyss it cannot cross by reason. Advaita pushes past exactly that. There the Heart is not a faculty apprehending an object at all but the collapse of the knower–known distinction itself; aparokṣa is not the heart sensing Brahman but the dropping of the very gap that “sensing” presupposes. So the analogy is real at the level of epistemology — the priority of immediate over discursive knowing — and breaks precisely at the ontology. Pascal needs the distance to keep faith meaningful as faith; Vedānta dissolves the distance and calls the residue of distance itself the last and subtlest avidyā.
Which leaves a question I think the line is actually built to provoke, and that your own work circles: is the heart’s knowing a better grip on the same object reason was fumbling for — or is it the recognition that there was never an object, and the reaching itself was the error? Pascal stops at the first. Whether one can stay there is, I’d say, the whole argument.