“She was wearing the rose in her hair, and I was brushing off the snow from my jacket.” “Sometimes freedom … More
Tag: God
A Few Sayings
“Buddha misread the origins of suffering. The cause of suffering is God’s desire to appear as this creation.” “This is … More
Recent Sayings
“The more significant question always is “Do you love?” rather than “Do you love me?”. Why? Because love is a … More
God’s Fault
“One cannot realize God if one has even the least trace of desire. A thread cannot pass through the eye … More
Rilke on Love
from Rilke’s “Letters to a Young Poet” (extract from the Seventh letter) To love is good, too: love being difficult. … More
“Is it perfume from a dress / That makes me so digress?”
No, Eliot, it is not the perfumeFrom a dress or otherwiseThat makes me digress. I digressBecause the mind itself is … More
Hitherto Unblogged Poems from My Latest Book “The Seeking Soul” — www.amazon.in/dp/B0G4KCHV3W
The Corridor of Uncertainty My buddy AV Satish ChandraNow retired as prof of pol sciFrom OU, tired as he already … More
Nee illu Ekkado Telusa – “నీ ఇల్లు ఎక్కడో తెలుసా” || Telugu Folk Song
“నీ ఇల్లు ఎక్కడో తెలుసా?” — Do you know where your true home is? This powerful Telugu folk song cuts through life’s illusions with fearless honesty, addressing the restless human mind directly. You celebrate your house, your family, your wealth — but your real final home, the song reminds us, lies at the cremation ground. You arrived in this world with nothing, and you will leave with nothing.
The song urges the mind not to cling to spouse, children, or siblings — for on the day you depart, even your closest loved ones will hesitate to come near. It questions the endless wrestling over property and possessions, calling them asthi ramu — unstable, impermanent. Fame and status fare no better: “How significant are you in this vast universe? How far does your name really reach?”
Even the body you call your own will one day abandon you. Belonging to the Telugu Vairagya tradition of philosophical folk poetry — echoing saints like Vemana and Kabir — this song does not preach despair. It preaches awakening. Surrender to the eternal, unseen divine, it says, for in a life of total impermanence, that alone is real.
The Sacred Withdrawal: When Spiritual Sadhana Becomes Your Raison d’être
What looks like retreat to the world is often the most courageous advance inward. In this deeply personal reflection, I address a well-meaning piece of advice — that I shouldn’t “shut my door” simply because someone hurt me. But my withdrawal from worldly engagement is neither sudden nor born of wounded pride. It is the culmination of a 50-year spiritual quest, a decision quietly forming since December 2021, now firmly made. Drawing on Plato’s Allegory of the Cave, I explore how most of us mistake the shadows of the material world for ultimate reality — and how spiritual sadhana is the very act of breaking free from those chains. As Rousseau reminds us, man is born free, yet lives everywhere in bondage. True freedom isn’t found in the world’s noise; it is discovered in the sunlit stillness beyond the cave. This is not an escape. This is a homecoming.
“Mat Kar Maya Ko Ahankar” — Kabir’s Timeless Reminder That Everything Becomes Dust
What does a swaying elephant, a melting dew drop, and an extinguished lamp have in common? They’re all metaphors Kabir Café uses in Matkar Maya Ko Ahankar to strip away our illusions about wealth, power, and the human body. Rooted in Sant Kabir’s 15th-century Bhakti philosophy, this folk-fusion gem asks a razor-sharp question: why take pride in things that a single gust of wind can destroy? From mighty kings to grieving families, nothing escapes impermanence. Yet the song doesn’t leave you in despair — it points toward the Guru’s grace as the only real liberation. Ancient wisdom. Modern soul.